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Music

At AHS, our overriding aim is to ensure that all students can enjoy and appreciate the multitude of benefits that the subject offers. Music plays a key role in developing a student’s spiritual, moral and social values alongside an appreciation and understanding of other cultures and British values. We explore these elements through a wide range of music from different genres, periods and places. We also aim to link student learning to the ‘wider world’, showing how the skills they learn are transferable to life outside of school and potential careers.

Our music department is a vibrant hub of creativity, academic excellence, and artistic expression. Designed to challenge and inspire high-achieving students, our curriculum balances music theory, historical and contextual analysis, and composition with practical performance. Whether mastering a solo piece, composing original works, or performing in our renowned ensembles, students develop exceptional discipline, critical thinking, and a lifelong passion for music.

Music at all key stages is based on 3 main strands: Performing, Composing and Appraising.  These 3 strands develop and enhance students’ confidence, creativity, ability to listen critically, teamwork and organisational skills, and public accountability.  Music has also been proven to boost mental health and agility.

Student resources

Clickview is only available for students and teachers of Aylesbury High School. 

The other link is to a website we subscribe to with extra resources. Students have their own login details given to them by the school. 

AHS only resources Web based quick links

Extension work & wider reading at Key Stage 3 (Years 7-9)

If you have finished all the work set on Google Classroom/in lessons very quickly and/or if you’re looking for Music things to do to stop you getting bored, try out some of these suggestions.

 

Extension work & wider reading at Key Stage 4 (Years 10-11)

If you finish all the work set on Google Classroom very quickly and/or if you’re looking for Music things to do to stop you getting bored, try out some of these suggestions.

 

Extension work & wider reading at Key Stage 5 (Years 12-13)

If you finish all the work set on Google Classroom very quickly and/or if you’re looking for Music things to do to stop you getting bored, try out some of these suggestions.

 

Subject intent

Our overriding aim is to ensure that all students can enjoy and appreciate the multitude of benefits that music can offer. Music plays a key role in developing a student’s spiritual, moral and social values alongside an appreciation and understanding of other cultures and British values. We explore these elements through a wide range of music from different genres, periods and places. We also aim to link student learning to the ‘wider world’, showing how the skills they learn can apply to life outside of school and, where appropriate, potential careers.

Key Stage 3 

At Key Stage 3, we build on the skills and knowledge acquired at Key Stage 2; developing students’ proficiency in performing, composing and appraising and preparing them for future study at Key Stage 4 as an option. At AHS, we find there is a wide range in terms of what students have learnt and experienced before they arrive at school. Some students will have had very little musical education, while others may already play an instrument to a high level. A key part of the Year 7 curriculum is getting to know our students and ensuring each is supported, stretched and challenged at a level that is appropriate for them.

Year 7 skills:

  • Read and perform from basic music notation

  • Understand the elements of music so they can apply this to their listening, appraising, performing and composition

  • Develop a sense of pulse and rhythm so they can perform effectively

  • Work and perform effectively in groups and ensembles

  • Understand basic music theory so they can use this later in the key stage when composing music

  • Use the basic functions of music software and develop their understanding of music technology processes so they can programme and compose their own music in the future

  • Develop a love for singing and provide world-class performance opportunities within a choral setting

In Years 8 and 9, the above skills are developed further so students can:

  • Produce a quality ensemble or solo performance on a range of instruments.

  • Develop instrumental skills so they can perform ‘real music’ as a solo and/or ensemble player.

  • Create and compose their own ideas for either live performance or using computer software. 

  • Appreciate and appraise music from a range of cultures, styles and eras

  • Develop their listening and appraising skills further, identifying and describing musical features. 

  • Develop improvisation skills that are important in developing both performance and composing confidence.

Key Stage 4

At Key Stage 4, we follow the AQA specification with students continuing to develop their proficiency in performing, composing and appraising.   Students are required to perform one solo and one ensemble at around grade 4 standard as part of their coursework.  Using musical software, students are also required to produce a folio of 2 compositions.  The written paper explores 4 Areas of Study: The Western Classical Tradition from 1650-1910, Popular Music, Traditional Music, and Western Classical Music since 1910.

Key Stage 5

Students at A level follow the Eduqas specification, and explore the 3 strands at a more advanced level.  They are required to perform at around grade 6 standard to a visiting examiner for 10–12 minutes, and produce a folio of 2 compositions.  There is an opportunity to alter the weightings of these 2 components, allowing students to prioritise either performing or composition, according to their strengths.  For the written paper, students study the development of the symphony with a prescribed set work in addition to a study of Musical Theatre focusing on a series of key composers.  They also study 20th century music, focusing on Impressionism, Expressionism and NeoClassicism, in addition to two prescribed set works by Debussy and Poulenc respectively.

Key Stage 3 (Years 7-9) course implementation, learning journey & attainment.

Lessons are very practical based and students work in pairs, individually and in groups to develop their musical skills in a wide range of genres and styles. Students work on keyboards, ukuleles, pitched and unpitched percussion instruments and are encouraged to bring in their own instruments when doing group work. Some units are based in the computer suite with a focus on music technology skills.

Course content

Year 7 Year 8 Year 9
  • Elements of Music (with a focus on Rhythm and Pulse)

  • Vocal skills (including Young Voices concert)

  • Introduction to Keyboards

  • Introduction to Ukulele

  • Introduction to Garageband, scales & chords

  • Shanty Time

  • The Blues

  • Programme Music

  • Reggae

  • Music of Asia

  • Advanced Ukuleles

  • Pop Music

  • Film Music

  • Song Writing

  • Theme & Variation

  • Jazz and Improvisation

  • Music of Africa

Learning Journey

 

These attainment descriptors clarify the skills/knowledge needed for the different levels of attainment in Years 7–9. For Years 8 and 9 it is always the case that not all of these will have been covered before the summer term. Teachers therefore make a judgement based upon how the skills/knowledge that have been covered have been used by the students before each data collection. This is not the case in Year 7, where students only get 1 term of each language, so everything is covered by the time of each term's data collection.

Students can use these descriptors to focus on particular areas in order to make improvements. For writing and speaking in particular, there are very targeted areas to look at.

Year 7 attainment descriptors

In Year 7, we use descriptors which are organised by skill in 4 different areas.

Working Towards
Performance Improvisation Composition Technology
  • Attempts to sing with some accuracy of pitch, following the shape of melody.
  • Attempts to sing / play with rhythmic accuracy
  • Attempts to play simple chords on the ukulele
  • Attempts to perform / record a simple melody on the keyboard with the right hand
  • Understands the concept of treble clef notation
  • Attempts to perform as part of a small ensemble
  • I have attempted an improvisatory passage
  • Attempts to notate simple rhythms
  • Attempts to create a simple track on Garageband
Working At
Performance Improvisation Composition Technology
  • Can sing with accuracy of pitch
  • Can sing / play with good accuracy of rhythm
  • Can play ukulele chords fluently, with a good sense of pulse
  • Can perform / record a more complicated keyboard melody, including accidentals
  • Can read treble clef notation fluently
  • Can perform well in a small ensemble, keeping in time with other players
  • I have included an improvisatory passage which keeps in time with the beat
  • Can notate rhythms in bars with time signature

  • Can create more than one track on Garageband, including a drum beat with a good sense of pulse
Working Beyond
Performance Improvisation Composition Technology
  • Can sing with confidence, accuracy and expression
  • Can sing a harmony line or play using dynamics with accurate rhythms, confidence and expression
  • Can play chords fluently, including the more complicated ones, with a sustained sense of pulse
  • Can accurately perform / record a keyboard piece with both hands
  • Can read treble and bass clef notation
  • Takes a leading role in a small ensemble, listening to other players and keeping in time
  • I have included an improvisatory passage which is totally in keeping with the style of the chosen piece
  • Can accurately write more complex rhythmic notation, including dynamics
  • Can use Garageband with confidence, incorporating more advanced features such as automation

Year 8 attainment descriptors

In Year 8, we use descriptors which are organised by skill in 4 different areas.

Working Towards
Performance Improvisation Composition Technology
  • Attempts to play a simple melody on a keyboard or xylophone/glockenspiel
  • Attempts to sing / play with rhythmic accuracy
  • Attempts to perform as part of a small ensemble
  • Attempts to play simple chords and down strumming on the ukulele
  • Attempts to play a melody on the ukulele
  • Understands the concept of bass clef notation
  • Attempts to perform as part of a small ensemble, playing mostly in time
  • I can improvise a short melodic pattern, using 2 or 3 notes of the pentatonic scale
  •  
  • Creates a simple melody, using a few notes
  • Attempts to compose using simple (crotchet or minim) rhythms
  • Attempts to create a simple bass line based on a selection of chords.
  • Attempts to compose a melody using a chord pattern.
  • Attempts to create and record a drone or rhythm and a melody on Garageband
  •  
Working At
Performance Improvisation Composition Technology
  • Can play a melody on a chosen instrument with good accuracy of pitch
  • Can sing / play with good accuracy of rhythm
  • Can perform well in a small ensemble, keeping in time with other players
  • Can play ukulele chords fluently while singing, with a good sense of pulse
  • Can play either a verse or chorus melody on the ukulele with good accuracy
  • Can read bass clef notation with accuracy
  • Can perform well in a small ensemble, keeping in time with other players
  • Can improvise a 6-bar question and answer phrase, using the pentatonic scale
  • Can create a simple melodic pattern, using notes from a scale.
  • Can compose a melody using a mix of rhythms (crotchets and quavers)
  • Can create a bass line, based on a chord progression.
  • Can compose a melody that mostly fits a bass line and chords
  • Can record three layers in time to the click; can use basic volume Automation
Working Beyond
Performance Improvisation Composition Technology
  • Can play a melody fluently and accurately
  • Can sing a harmony line or play using dynamics with accurate rhythms, confidence and expression
  • Takes a leading role in a small ensemble, listening to other players and keeping in time
  • Can play chords fluently using more complex strumming patterns, as part of a group.
  • Can accurately perform two or more melodies on the ukulele with clear pitch and rhythm
  • Can confidently read both treble and bass clef notation
  • Takes a leading role in a small ensemble, listening to other players and keeping in time.
  • Can improvise an effective 12 bar melody using the Blues scale.
  • Can effectively use a major or minor scale to compose a nicely shaped melody, with a good sense of direction.
  • Can compose a rhythmically interesting piece
  • Can confidently compose a more interesting bass line, using inversions and/or connecting notes.
  • Can compose a melody that fits a chord progression and bass throughout
  • Can use Garageband with confidence, incorporating more advanced features (gradual dynamic changes, SFX, Tempo changes, drum loops)

Year 9 attainment descriptors

In Year 9, we use descriptors which are organised by skill in 3 different areas.

Working Towards
Performance Composition Technology
  • Attempts to sing with some accuracy of pitch and rhythm, following the shape of melody
  • Attempts to play a simple part on a chosen instrument
  • Understands the concept of treble clef notation
  • Shows awareness of how part fits with the rest of the performance
  • Attempted to create a piece that evokes the mood of the film
  • There is limited synchronisation with the action of the film
  • There is limited use of sounds and / or textures
  • There is limited use of chords / melody
  • Attempts to create a track on Garageband
Working At
Performance Composition Technology
  • Can sing with accuracy of pitch and rhythm
  • Can play a more complicated instrumental part with a good sense of pulse
  • Can read treble clef notation fluently
  • Performs with a good sense of ensemble
  • Have created a piece that evokes the mood of the film
  • Good attempts have been made to mirror the action of the film
  • Good use of sounds and / or textures is evident
  • Chords and melodies are used to good effect
  • Uses features on Garageband to good effect
Working Beyond
Performance Composition Technology
  • Can sing with confidence, accuracy and expression
  • Plays fluently, with a good sense of expression
  • Can read treble and bass clef notation
  • Performs with an excellent sense of ensemble, taking a leading role within the group
  • Have created a piece that evokes the mood of the film with changing moods as the action progresses
  • Synchronisation is evident throughout the composition, clearly matching the action of the film
  • Sounds and / or textures are used which totally complement the action of the film
  • Chords and melodies are used, together with a leitfmotif to represent a character / feeling
  • Can use Garageband with confidence, incorporating features such as automation, loops and effects
  •  

Key Stage 4 (Years 10-11) course implementation, learning journey & assessment info.

We offer the AQA GCSE Music course at Key Stage 4. Through study of the areas of study below, students learn about a wide range of music and develop skills in performance, composition, listening and appraising.

Course content

Year 10 Year 11

Area of Study 1 – Western Classical tradition 1650-1910

  • The Coronation Anthems and oratorios of Handel

  • The orchestral music of Haydn, Mozart & Beethoven

  • The piano music of Chopin & Schumann

  • The Requiem of the late Romantic period

  • Set work – Clarinet Concerto, Mozart

Area of Study 3 – Traditional Music

  • Blues music 1920-1950

  • Fusion music incorporating African and/or Caribbean music

  • Contemporary Latin music

  • Contemporary folk music of the British Isles

Area of Study 4 – Western Classical tradition since 1910

  • The orchestral music of Aaron Copland

  • British music by Arnold, Britten, Maxwell Davies & Tavener

  • The orchestral music of Kodaly & Bartok

  • Minimalist music of Adams, Reich & Riley

Area of Study 2 

  • The music of Broadway 1950’s-1990’s

  • Rock music of the 1960s & 1970s

  • Film & computer gaming music from 1990s to present

  • Popular music from the 1990s to present

  • Set work – selection of pieces from the musical Little Shop of Horrors

 

Continuation of the Year 10 topics in more detail. Completion of performance and composition coursework

Learning journey

 

At GCSE level, students are assessed on their ability in 3 different areas: Understanding, Performing and Composing. This link takes you to the AQA specification, which contains all the necessary course information. Assessments take place throughout the 2 years of the course, in addition to Year 10 exams and mocks in the spring term of Year 11. 

How will I be assessed?

The following summary is based upon students doing the Higher papers. 

Component 1 40% Component 2 30% Component 3 40%

Written exam 1h 30 mins

Section A: Listening – unfamiliar music (68 marks)

Section B: Study pieces (28 marks)

Non-Examined Assessment (NEA)

Internally assessed and externally moderated

As an instrumentalist and/or vocalist and/or via technology:

  • Performance 1: Solo performance (36 marks)
  • Performance 2: Ensemble performance (36 marks).

Non-Examined Assessment (NEA)

Internally assessed and externally moderated

  • Composition 1: Composition to a brief (36 marks)
  • Composition 2: Free composition (36 marks).

Key Stage 5 (Years 12-13) course implementation, learning journey & assessment info.

Course content

Year 12 & 13

Edexcel A Level Music

The course is split into three areas: performance, composition and listening/appraising. There are three areas of study including The Western Classical Tradition, Jazz, and Into the Twentieth or Twenty-first Century. Students study a range of set works and unfamiliar music from the areas of study.

Performance

  • A recital of a minimum of 8 minutes – 30% of qualification

  • Non-exam assessment: externally assessed by recording of recital

Composition

  • Completion of two compositions, one free and one to a set brief

  • Total duration of compositions: 6 minutes minimum, 30% of qualification

  • Non-exam assessment: externally assessed by Edexcel

Listening & Appraising

One exam at the end of the course which includes:

  • Knowledge and understanding of musical elements, contexts and language

  • Application of knowledge through the context of six areas of study, each with two set works, with the exception of Popular Music and Jazz, which has three set works:

    • Vocal Music

    • Instrumental Music

    • Music for Film

    • Popular Music and Jazz

    • Fusions

    • New Directions

  • Application of knowledge to unfamiliar works

Learning journey

 

This link takes you to the Eduqas specification, which contains all the necessary course information. 3 skills are assessed: Performing, Composing and Appraising. Assessments take place throughout the 2 years of the course, in addition to Year 12 exams and mocks in the spring term of Year 13. 

How will I be assessed?

Component 1 (35/25%)

Performing 

Component 2 (35/25%)

Composing

Component 3 (40%)

Appraising

Option A (35%) – students perform a recital consisting of a minimum of 3 pieces lasting between 10–12 minutes.

Option B (25%) – students perform a recital consisting of a minimum of 2 pieces lasting between 8–10 minutes.  

Performers should be playing at a minimum of grade 6 standard.

Assessed by a visiting examiner from Eduqas.

Option A (35%) – students submit a folio of 2 compositions lasting between 4–6 minutes.

Option B (25%) – students submit a folio of 3 compositions lasting between 8–10 minutes.


 

Written exam – 2 hours 15 minutes.

Three Areas of Study:

A – The Western Classical Tradition – the Development of the symphony, which includes 2 set works.

Area of Study C - Musical Theatre

Area of Study E – Into the 20th Century, which includes 2 set works.

Subject impact

Key Stage 3

  • Our carefully planned units at the start of Year 7 have allowed us to quickly identify individual student strengths and gaps in learning from Key Stage 2 and provide differentiated tasks that both support learners, providing them with the basic skills and knowledge they need for the Key Stage 3 curriculum, and stretch those already at a higher stage so they can progress at a level that is appropriate for them

    • From reflecting on the progression of learning throughout Key Stage 3, we have developed clear links between schemes of work from Years 7 through to 9 that see a development of skills that allow students to finish Key Stage 3 with the ability to perform challenging ‘real’ music, e.g. from learning ukulele chords in Year 7, to learning tab on the ukulele in Year 8, to transferring those skills to playing bass guitar as part of a pop/rock band in Year 9

  • Singing is used as a vehicle for creativity, regardless of a students’ exposure to music prior to their joining Aylesbury High School. In Year 7, this includes a concert in the O2 Arena with Young Voices and Urban Strides.

  • There is at least one scheme of work in every year of Key Stage 3 where students develop their music sequencing skills on Garageband. Each unit builds on the skills learnt from the previous year with the aim that, should they opt for Music at GCSE, students already have the music technology skills they need to produce high quality work on the software. We are already seeing increased use of the software in Years 10 and 11, with students using it in a more confident and sophisticated way

  • Throughout Key Stage 3, resources are carefully chosen and prepared to suit learners with a wide range of abilities and learning styles, including students with SEND. Resources are shared via Google Classroom, so students can print or edit their own copy according to their individual needs. This also means little lesson time is needed for note-taking, allowing us to spend more time on practical music making

  • Through teaching units from a wide range of styles and cultures, students develop a good understanding and awareness of other cultures. e.g. our Music Of Asia unit in Year 8 encourages students of Indian and Sri-Lankan heritage to share their knowledge of musical styles from this part of the world, which has both increased their own engagement in the curriculum and improved understanding and respect for those cultures among their peers

  • British Values such as respect, tolerance and democracy are openly encouraged through Key Stage 3 group work, resulting in students cooperating well and using group work time effectively to produce high-quality outcomes

Key Stage 4

  • Music GCSE classes typically include students with a wide range of musical interests and playing styles. Through choosing a specification that covers a wide range of styles, periods and genres of music, this allows all students to flourish, whether from a classical, pop, folk or world music background. It also means students develop a deep and meaningful understanding and appreciation of a wide range of musical styles, contexts and cultures and this is evident in their engagement in lessons and is also reflective in the wide range of performance and composition work the students produce

  • Building on the Key Stage 3 curriculum, the course is carefully planned to continuously develop skills in appraising, performance and composition. This is evident in the increasing quality of work over the two years, with students finishing Year 11 with the skills and knowledge they need to further pursue the subject at A Level should they choose it (as evidenced in our 2026 exam results)

  • Schemes of work include a mixture of written, digital and practical tasks to support a range of learning styles and students with SEND. Resources are shared and clearly organised via Google Classroom, so students can print or edit their own copy according to their individual needs. This also minimises the need for excessive note-taking in lessons

Key Stage 5

  • Building on the Key Stage 4 curriculum, the course is carefully planned to continuously develop skills in appraising, performance and composition. This is evident in the increasing quality of work over the two years, with students finishing Year 13 with the advanced skills and knowledge they need to further pursue the subject at degree level should they choose it (as evidenced in our 2026 exam results). A significant number of our A Level Music students go on to pursue either Music or Music Technology at university, with recent alumni reading Music at conservatoire and Oxbridge courses

  • Styles of composition and performance are carefully chosen to cater to specific student needs, e.g. allowing them to focus more on music technology skills in their recital or composition, depending on their preferred style and intentions for future study. 

Feedback in Music lessons

This chart explains the types of feedback that students can expect to receive for work done in Music lessons/at home.

Activity Types of feedback

Exercise books/folders (Key Stage 4 & Key Stage 5)

Organisation and completion of work are checked when circulating or as part of homework marking.

Written or verbal comments.

Individual or group practical work/mini-whiteboard activities/classwork

Verbal feedback

Contribution to class discussion

Verbal feedback

Homework (Key Stage 4 & 5 only)

Written feedback/Red - Amber - Green marking

Exam marking where appropriate.

Key Stage 3 assessments

Teacher marked - feedback sheet with WWW/EBI (What Went Well / Even Better If) comments.

Key Stage 4 assessments

 

Teacher marked - feedback sheet with WWW/EBI comments.

Use of exam criteria where appropriate.

School values in Music

Boundless Aspiration Curious Engagement Resilient Bravery Selfless Generosity
  • Challenge yourself, e.g. learn a new instrument or try a more difficult part

  • Be patient and disciplined with long-term composition and performance projects; break them down into smaller steps and work conscientiously to complete them

  • Embrace feedback as a learning opportunity

  • Take pride in your achievements – own your performance!

  • Ask thoughtful questions to seek more information /explore the bigger picture

  • Do wider listening and research

  • Make observations about pieces that are listened to or performed, e.g. draw links between different genres and draw conclusions

  • Explore further, e.g. look for music-related career opportunities or join a music ensemble

  • Perform in front of others even when you’re nervous

  • Take risks with composition and improvisation and don’t be afraid that it might not be ‘perfect’!

  • Contribute to class discussion, even if you’re not sure if you are ‘correct’

  • Take on a more prominent role in group work, even if you’d prefer to take a backseat and let others lead

  • Support each other – e.g. in group work

  • Give kind but constructive feedback to others

  • Support the teacher during the lesson or a club (e.g. helping set up, pack away)

  • Show dedication and commitment to ensembles, and realise the impact on others if you miss a rehearsal