The AHS English curriculum is designed to develop students’ literacy and oracy skills through reading, writing, speaking and listening. English encourages students to develop their communication and critical thinking skills, sense of empathy and promotion of fundamental British Values.
We want our students to have the ability to not only interpret, but also question the world around them, especially in an age where they are surrounded by so much misinformation.
We also wish for our students to leave AHS with a lifelong love of literature and language. At each stage, where possible, our curriculum seeks opportunities to nurture and encourage the pleasures of reading and the joy of the English language beyond what is taught in the classroom.
We study important texts from the English canon in conversation with relevant, challenging texts from outside the traditional canon which represent a diverse range of cultures, traditions, identities and experiences. We place equal importance on literary texts and non-fiction texts, as both are key to developing a deep understanding of the world and humanity.
We use the following five concepts as the foundation for all that we study, from Year 7 all the way through Year 13:
all texts are constructs
texts make use of patterns
texts are informed by contexts
readers actively construct meaning
all texts are arguments
The Key Stage 3 curriculum follows a chronological exploration of the English canon, starting from the beginnings of English to contemporary texts across the three years. Traditional texts from the literary canon are interweaved with relevant, diverse texts that reflect the way that English has been used across time, place and culture.
At Key Stage 4 and Key Stage 5, our curricula are dictated by the exam board. However, students are given the opportunity to do wider reading which opens up the scope of texts they are exposed to, and our choices of set texts from the exam board specification have been selected to reflect students’ interests, important cultural touchstones, and be a source of challenge for them.
At A Level, we offer both English Literature and English Language, which allows our students to explore all facets of English to an advanced level. Many students choose to study both.
Students are formatively assessed each unit with at least one Writing Practice, where they complete an analytical or creative writing task and are given teacher feedback on specific analysis and composition skills. These skills build upon one another from the very beginning of Year 7, all the way through Year 11 (or 13, if they choose to pursue the subject further). These tasks are not given a numerical mark or grade, as their purpose is for students to focus on the development of individual skills through the feedback given.
At Key Stage 3, students also have two graded assessments each year when they are tested on prior knowledge, analysis skills and an extended writing task.
At Key Stages 4 and 5, there are summative assessment points throughout the course where students complete an exam component essay and are marked according to the Edexcel mark scheme. When appropriate, students are allocated a grade for summative assessments only.
The Google Drive and Clickview are only available for students and teachers of Aylesbury High School. The Google Drive contains all Google-based resources used in lessons.
The other quick links are to websites we subscribe to with extra resources. Students have their own login details given to them by the school.
If you have finished all the work set on Google Classroom/in lessons very quickly and/or if you’re looking for English things to do to stop you getting bored, try out some of these suggestions.
Refer to the last page of your digital Reading Homework booklets (Key Stage 3) or Wider Reading booklets (Key Stage 4) posted on your Google Classroom for wider reading suggestions.
The Carnegie Lists are another good source of excellent books for young people (https://carnegies.co.uk/).
We recommend reading as wide a range of genres as possible, including nonfiction and newspapers. Here are some sources for online news articles:
Year 7-8:
https://www.bbc.co.uk/newsround
Year 9+:
https://www.theguardian.com/uk
https://www.bbc.co.uk/news/topics/cpml2v678pxt
Any reading you can do outside of lessons will help improve your vocabulary and skills in English.
Wider activities
Boost your SPaG and vocabulary: https://www.grammar-monster.com/
BBC Bitesize: https://www.bbc.co.uk/bitesize/secondary
Rewrite a paragraph you wrote in class, integrating your EBI.
Quiz yourself using the Knowledge Checklists at the back of your unit booklets.
Write a review of the most recent book you read, outlining its strengths and weaknesses and if you would recommend it to a friend or not.
If you finish all the work set on Google Classroom very quickly and/or if you’re looking for English things to do to stop you getting bored, try out some of these suggestions.
Refer to Wider Reading booklets (Key Stage S4) posted on your Google Classroom for wider reading suggestions.
The Carnegie Lists are another good source of excellent books for young people (https://carnegies.co.uk/).
We recommend reading as wide a range of genres as possible, including nonfiction and newspapers. Here are some sources for online news articles:
Year 9+:
https://www.theguardian.com/uk
https://www.bbc.co.uk/news/topics/cpml2v678pxt
Any reading you can do outside of lessons will help improve your vocabulary and skills in English.
Wider activities
Boost your SPaG and vocabulary: https://www.grammar-monster.com/
BBC Bitesize: https://www.bbc.co.uk/bitesize/secondary
Rewrite a paragraph you wrote in class, integrating your EBI. (Even better if)
Quiz yourself using the Knowledge Checklists at the back of your unit booklets.
Write a review of the most recent book you read, outlining its strengths and weaknesses and if you would recommend it to a friend or not.
If you finish all the work set on Google Classroom very quickly and/or if you’re looking for English Language things to do to stop you getting bored, try out some of these suggestions.
Across your first year of A Level English Language you will be expected to be exploring language use in the world around you. As such, we require you to create and annotate a scrapbook of “real” everyday language.
During the summer, look out for any interesting snippets of language from a range of different sources – newspaper clippings, tickets, advertisements, posters on walls, etc – and start collating these. You can either collect the physical copy (if you have permission!) or take a photo and add to a Word or Google document. You can make notes about the language being used, key phrases that stand out to you or summarise why you found the snippet interesting.
Broaden your knowledge about Language
Spend time developing your knowledge of Language, recognising that it is very different from what you will have studied at GCSE. You could:
Listen to Radio 4’s ‘Word of Mouth’ programme on the BBC iPlayer
Watch short Ted Talks about how language changes over time playlist
Listen to Conversations about Language via the Lingthusiasm Podcast
Listen to the Lexis podcast on Apple Podcasts or Spotify
Start a Linguistics Crash Course
Explore linguist Dan Clayton’s EngLangBlog - A blog for A Level English Language students
You can also broaden your knowledge by reading any of the following books:
Bill Bryson, Mother Tongue
Victoria Fromkin, Robert Rodman and Nina Hyams, An Introduction to Language
R L Trask, Language the Basics
David Crystal, A Little Book of Language
David Crystal, Rediscover Grammar (for reference)
If you finish all the work set on Google Classroom very quickly and/or if you’re looking for English Literature things to do to stop you getting bored, try out some of these suggestions.
Booker Prize Reading
The more you read, the more likely you are to succeed in your studies for A Level English Literature. As part of your NEA you will be investigating texts from The Booker Prize so that you can make a decision about which pair you might like to write about.
If you are unaware, The Booker Prize is a leading literary award in the English speaking world, and “has brought recognition, reward and readership to outstanding fiction for over five decades. Each year, the prize is awarded to what is, in the opinion of the judges, the best novel of the year written in English and published in the UK and Ireland. The winner receives £50,000 as well as the £2,500 awarded to each of the six shortlisted authors. Both the winner and the shortlisted authors are guaranteed a global readership and can expect a dramatic increase in book sales.”
By focusing your choice to The Booker Prize list, we know that it will not only support you in your decision-making process but also help you see why literature is exciting, contemporary and relevant to the world that surrounds you.
Across the summer, we would like you to read at least THREE texts from the Booker Prize longlists. Make sure that you note down what you like / dislike about the text, perhaps adding some observations about the characters and plot of the story.
Look at The Booker Prize website for a full list, but below gives an indication of possibilities. Please note, you cannot use texts in translation, so do not choose any books from the international list.
Previous Longlisted Novels
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The English curriculum across all Key Stages seeks to:
challenge our students beyond what they, by themselves, can accomplish
ensure students can engage critically with the Literary canon and recognise literature as an ongoing conversation that speaks across time and culture
make students linguistically knowledgeable
nurture and encourage the pleasures of reading and writing
develop students to be confident in discussing, debating and presenting ideas
provide students with the concepts and skills required to achieve their academic and personal potential
We use the following five concepts as the foundation for all that we study:
all texts are constructs
texts make use of patterns
texts are informed by contexts
readers actively construct meaning
all texts are arguments
The Key Stage 3 curriculum adopts a chronological approach in order for students to become aware of a traditional literary canon so that they can both understand and challenge it. They will be able to appreciate the intertextual nature of English Literature as a discipline, not only to later connect with their GCSEs but also to have the confidence to see how the stories we tell reflect, adapt and interrogate the literary canon so that they can do so themselves. A key aspect to this is our inclusion of a diverse range of texts across the curriculum, where students look outside the canon and explore texts from a wider range of cultures and traditions.
Throughout Key Stage 3 students will develop their appreciation and understanding of how language works. Building on the grammar knowledge from Key Stage 2, our curriculum adopts a stylistics and “grammar for writing” approach to the understanding of language. This is reflected in how students are expected to interrogate the texts studied with the appropriate technical language. Creativity, experimentation and exploration of their own writing is interwoven into our curriculum, as well as developing a more detailed appreciation of linguistics. The curriculum aims to introduce students to what types of English courses will be available to them post-GCSE.
Above all, our early curriculum aims to foster in our students a love for reading. We ensure this takes place through half-termly reading sessions, where students are expected to either read for pleasure or discuss the books that mean something to them. These discussions then form part of our “Just Read” units, where reading a text is the dominant focus of the lesson, providing another opportunity at developing vital speaking and listening skills. At the end of Year 9 each student presents to the class on a text of their choice. This presentation becomes the assessed Spoken Language Endorsement section of their GCSE English Language exam.
Co-curricular opportunities are available throughout Key Stage 3, including Creative Writing Club, Book and Film Club, House Spelling Bee, public speaking competitions, theatre trips and other one-off events, all aimed at developing a love for the many different forms English can take.
The skills covered in Key Stage 3 form the basis of learning in Year 10 and Year 11 and are developed further as the focus shifts to specific set texts as required by the GCSE. Our choices here reflect the foundation created by the canon from Key Stage 3. Each intentionally challenges our students to ensure a clear link between GCSE and A Level Literature is made, but also to reflect the ability and skills that our students will have developed by this point. The curriculum at Key Stage 4 is tightly packed so we look for ways to condense, overlap and connect what is taught. This is evident in the choice of texts which share thematic links and “speak to” each other in order to ensure that students utilise their understanding of one text to inform their appreciation of another.
A stylistic approach is applied to their GCSE English Language requirements. Students will then have a limited opportunity to develop their creative and transactional writing skills by reflecting on texts studied in class and experimenting with their own output.
Co-curricular opportunities are available throughout Key Stage 4, including Creative Writing Club, Book and Film Club, House Spelling Bee, public speaking competitions, theatre trips and other one-off events, all aimed at developing a love for the many different forms English can take.
The texts selected from specifications for A Level Literature are both deliberately challenging and are ones that come from a wide range of different eras: Medieval, Renaissance, Victorian, Modernist and contemporary. We seek to ensure that those students who wish to further study English at the top universities have a foundation to engage and debate with others. We see it as our duty as English teachers that students appreciate the diversity of literature that is available to them, to open doors to worlds and ideas that they otherwise would not have come across or have deliberately chosen for themselves. It is through their Independent Assignment that we encourage students to explore a text of their own choice, with the option of using a foundation text studied in class, nurturing their personal interests through an opportunity to examine topics more deeply.
The choice of offering A Level Language reflects both the department’s desire to place the love of language centre stage but also the nature of the students at AHS who excel at analysis, enjoy technical aspects of the subject and appreciate a more “data-led” approach. The two areas of curriculum choice for this A Level are the sub-topic of Language and Gender and student completion of an Independent Assignment. As a single-sex school, the choice of exploring the role language plays in gender construction enables those studying the subject to reflect on their own identity and perhaps more importantly, the challenges that will face them when they leave school. For their Independent Assignment we focus specifically on journalism, writing for different types of magazines, as it is a career choice students often wish to explore.
Throughout both A Levels, particularly in Year 12, we seek ways to extend our students’ knowledge and skills. We dedicate curriculum time to reading critical material in order to again challenge and develop our students, and also provide an appreciation of what could be explored post A Level. Here, we believe it is important that our students are equipped for a world in which debate, discussion and argument are integral aspects to having your voice heard. Finally, we continue to nurture the love of reading with curriculum time given to discussing texts beyond the specification.
| Year 7 | Year 8 | Year 9 |
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Autumn 1: Ovid – Metamorphoses Autumn 2: Metaphor and Language Archetypes: Heroes and Epics Spring 1: Just Read: Vick - Girl. Boy. Sea. Spring 2: Art of Rhetoric Summer 1: Chaucer – The Canterbury Tales Summer 2: Shakespeare – A Midsummer Night’s Dream |
Autumn 1: Sonnets: Love through the Ages Autumn 2: Shakespeare – Romeo and Juliet Spring 1: Just Read: Iridescent Adolescent – Diverse Short Stories Spring 2: Place and Romanticism Summer 1: Dickens – Great Expectations Summer 2: Dickens – Great Expectations |
Autumn 1: History Play: Gupta - The Empress Autumn 2: Politics, the Media and Language Spring 1: Political Literature Spring 2: Orwell – Animal Farm Summer 1: Just Read:The Girl With The Louding Voice Summer 2: Just Read:The Girl With The Louding Voice Individual presentations (GCSE Spoken Language Endorsement) |
Attainment descriptors in English are split into 3 key skills. We use 'I can' statements and students are graded using a holistic ‘best fit’ approach on their report, based on how they apply the skills during classwork, writing practices, quizzes and assessments.
WT (Working Towards) = simple and/or inconsistent application of skills
WA (Working At) = generally consistent application of skills
WB (Working Beyond) = secure and sophisticated application of skills
| Analysis & Evaluation | Composition | Speaking & Listening |
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A Year 8 student who is ‘Working At’ will be able to securely apply all Year 7 skills in addition to the following.
| Analysis & Evaluation | Composition | Speaking & Listening |
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A Year 9 student who is ‘Working At’ will be able to securely apply all Year 7 and 8 skills, and consistently apply Year 9 skills.
| Analysis & Evaluation | Composition | Speaking & Listening |
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| Year 10 | Year 11 |
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Autumn 1: Narrative and Character: Short Stories (Language Paper 1) Autumn 2: Golding – Lord of the Flies Spring 1: Lord of the Flies Articles / Orwell Youth Prize / Language Paper 2 Spring 2: Shakespeare – Macbeth Summer 1: Macbeth / Exam prep Summer 2: Macbeth |
Autumn 1: Stevenson - Jekyll and Hyde Autumn 2: Unseen Poetry Language Paper 2 Spring 1: Poetry: Belonging Anthology Spring 2: Revision Summer 1: Revision |
These links take you to the Edexcel specifications for English Language & English Literature, which contain all the necessary course information. Assessments take place throughout the 2 years of the course, in addition to Year 10 exams and mocks in the spring term of Year 11.
How will I be assessed?
| Component 1 - Fiction and imaginative writing 40% | Component 2 - Non-fiction and transactional writing 60% | Spoken endorsement 0% |
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Written exam 1hr 45 mins Section A – Reading: questions on an unseen 19th-century fiction extract. Section B – Writing: a choice of two writing tasks. The tasks are linked by a theme to the reading extract. |
Written exam - 2hrs 5 mins Section A – Reading: questions on two thematically linked, unseen non-fiction extracts. Section B – Writing: a choice of two writing tasks. The tasks are linked by a theme to the reading extracts. |
The component is internally assessed under controlled conditions, and externally monitored by Pearson. Candidates must undertake a prepared spoken presentation on a specific topic in a formal setting, listen and respond to questions and feedback, and use spoken English effectively. There are no marks for the Spoken Language endorsement. Students are awarded a grade (Pass, Merit or Distinction). |
| Component 1 – Shakespeare and Post-1914 literature 50% | Component 2 - 19th century novel and poetry since 1789 50% |
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Written exam – 1 hr 45 mins Section A – Shakespeare: a two-part question, with the first task focused on an extract of approximately 30 lines. The second task is focused on how a theme reflected in the extract is explored elsewhere in the play. Section B – Post-1914 British play or novel: ONE essay question. |
Written exam – 2hrs 15 mins Section A – 19th-century novel: a two-part question, with the first part focussed on an extract of approximately 400 words. The second part is an essay question exploring the whole text. Section B – Part 1: ONE question comparing a named poem from the Pearson Poetry Anthology collection to another poem from that collection. The named poem will be shown in the question paper. Part 2: ONE question comparing two unseen contemporary poems. |
| Year 12 | Year 13 |
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Autumn 1: Frameworks: Phonetics; Text Analysis and Representation Autumn 2: Spoken Discourse; Identity and Gender; Child Language Acquisition (spoken) Spring 1: Individual Variation; Child Language Acquisition (spoken) Spring 2: Individual Variation; Child Language Acquisition (spoken and literacy); NEA Summer 1: NEA; Child Language Acquisition (Literacy) Summer 2: Exams; NEA |
Autumn 1: NEA; Variation over Time; Language and Gender Autumn 2: Variation over Time; Mini-Language Investigation Spring 1: Variation over Time; Language Investigation (subtopic) Spring 2: Exams; Revision Summer 1: Revision |
| Year 12 | Year 13 |
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Autumn 1: Narrative theory; Critical theory; The Bloody Chamber Introduction to Stylistics in Poetry Frankenstein; Modern Poetry Autumn 2: Frankenstein; Modern Poetry Spring 1: Frankenstein; A Streetcar Named Desire; NEA: Booker Prize texts Spring 2: Wife of Bath Prologue; A Streetcar Named Desire; NEA Summer 1: Wife of Bath Prologue; A Streetcar Named Desire; NEA Summer 2: NEA; Revision; Exams |
Autumn 1: NEA; Hamlet; Wife of Bath; Never Let Me Go Autumn 2: Hamlet: Never Let Me Go Spring 1: Hamlet; Never Let Me Go; Exams Spring 2: Revision Summer 1: Revision |
These links take you to the Edexcel specifications for A Level English Language and English Literature, which contain all the necessary course information. Assessments take place throughout the 2 years of the course, in addition to Year 12 exams and mocks in the spring term of Year 13.
How will I be assessed?
| Component 1 – Language variation 35% | Component 2 – Child language 20% | Component 3 – Investigating language 25% | NEA _ Crafting language 20% |
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Written exam – 2hrs 15 mins Two sections: students answer the question in Section A and the question in Section B. Section A – Individual Variation: one question on two unseen 21st-century linked texts/data. Students produce an extended comparative response (AO1, AO2, AO3, AO4 assessed). Section B – Variation over Time: one question on two thematically linked unseen texts/data, from two different periods. Students produce an extended comparative response (AO1, AO2, AO3, AO4 assessed). |
Written exam – 1 hr 15 mins One question based on a set of unseen data – either spoken or written. Students produce an extended response (AO1, AO2, AO3 assessed). |
Written exam – 1 hr 45 mins Two sections: students answer one question from Section A and one question from Section B. Section A – one question on unseen data. Students must answer the question on the subtopic they have researched (AO1, AO2, AO3 assessed). Section B – one evaluative question. Students must answer the question on the subtopic they have researched and must make connections with data from their investigation. Students produce an extended response (AO1, AO2, AO3, AO4 assessed). |
Assignment 1: two pieces of original writing from the same genre, differentiated by function and/or audience (AO5 assessed). Assignment 2: one commentary, reflecting on the two pieces of original writing produced and making connections with research undertaken (AO1, AO2, AO3, AO4 assessed).
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| Component 1 – Drama 30% | Component 2 – Prose 20% | Component 3 – Poetry 30% | NEA - 20% |
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Written exam – 2hrs 15 mins Two sections: students answer one question from a choice of two on their studied text for both Section A and Section B. Section A – Shakespeare: one essay question, incorporating ideas from wider critical reading (AO1, AO2, AO3, AO5 assessed). Section B – Other Drama: one essay question (AO1, AO2, AO3 assessed). |
Written exam – 1 hr 15 mins Students answer one comparative essay question from a choice of two on their studied theme (AO1, AO2, AO3, AO4 assessed). |
Written exam – 2hrs 15 mins Two sections: students answer one question from a choice of two, comparing an unseen poem with a named poem from their studied contemporary text and one question from a choice of two on their studied movement/poet. Section A – Post-2000 Specified Poetry: one comparative essay question on an unseen modern poem written post-2000 and one named poem from the studied contemporary text (AO1, AO2, AO4 assessed). Section B – Specified Poetry Pre- or Post-1900: one essay question (AO1, AO2, AO3 assessed). |
One extended comparative essay referring to two texts (AO1, AO2, AO3, AO4, AO5 assessed) The advisory total word count is 2500–3000 words. |
Across all Key Stages, curriculum impact is identified through the following methods:
Half-termly quizzes: students are asked to recall key ideas, concepts and facts that are relevant to the content studied. For Key Stage 4/5 this will invariably be linked to exam content, whereas in Key Stage 3 it will be the core terminology and concepts that underpin English Language and Literature.
Half-termly Writing Practices: students are asked to replicate a taught skill (such as writing an introduction to an essay or the end of a short story) which is then considered on merit against predefined criteria (such as exam criteria or model responses). For Key Stage 4 and 5, these exercises become more exam focused as they near the end of their courses.
Termly quizzes: students complete an extended quiz, which includes both open and closed questions, in order to demonstrate their knowledge and understanding of the core English Language and/or Literature concepts and terminology.
Homework: a range of homework tasks are used by classroom teachers to support the assessment of curriculum impact. These may include revision for quizzes, where classroom teachers can identify strengths and weaknesses before a quiz, or extended writing, where students produce longer responses that can be evaluated on ideas, skills, or knowledge.
Twice yearly assessments: At two different points across the year, students complete summative assessments. For Key Stage 4 and 5 this will be a response to an exam-style question. Key Stage 3 are assessed on their writing development and their ability to use English-related concepts when analysing or evaluating texts.
This chart explains the types of feedback that students can expect to receive for work done in geography lessons/at home.
| Activity | Types of feedback |
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Writing Practices |
Teacher marked, criteria/skills ticked (see key below) → whole class feedback → student self-assessed WWW/EBI (What went well / Even better if) recorded in Progress Tracker dot = emerging; tick = clear evidence; double tick = secure |
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Oral contributions in class |
Verbal feedback |
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Small group oral work |
Verbal feedback |
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Classwork |
Verbal feedback when circulating |
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Exercise books |
Organisation and completion of work checked when circulating |
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Half-termly Quizzes |
Self-marking quiz → self-assessed WWW/EBI recorded in Progress Tracker |
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Twice-yearly (Biannual) Assessments |
Teacher marked → student self-assessed WWW/EBI recorded in Progress Tracker |
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Homework |
Depends on the nature of the task
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| Boundless Aspiration | Curious Engagement | Resilient Bravery | Selfless Generosity |
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